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The Abyss

A Novel

ebook
1 of 1 copy available
1 of 1 copy available

LONGLISTED FOR THE 2024 NATIONAL BOOK AWARD IN TRANSLATION

Finally, the Colombian Fernando Vallejo's masterpiece, The Abyss, is available in English in a stunning translation by Yvette Siegert

LONGLISTED FOR THE 2024 NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE

Winner of the Rómulo Gallego Prize, The Abyss is a caustic masterwork of incredible power and force, an unforgettable autobiographical work of queer fiction. The novel tells about the demise of a crumbling house in Medellín, Colombia. Fernando, a writer, visits his brother Darío, who is dying of AIDS. Recounting their wild philandering and trying to come to terms with his beloved brother's inevitable death, Fernando rants against the political forces that cause so much suffering. Vallejo is the heir to Céline, Thomas Paine, and Machado de Assis. He hurls vitriolic, savagely funny insults at his country ("I wipe my ass with the new Constitution of Colombia") and at his mother ("the Crazy Bitch") who has given birth to him and his many siblings. Within this firestorm of pain, Fernando manages to get across much beauty and truth: that all love is painful and washed in pure sorrow. He loves his sick brother and the family's Santa Anita farm (the lost paradise of his childhood where azaleas bloomed); and he even loves his country, now torn to shreds. Always, in this savage masterpiece about loss—as if in the eye of Vallejo's hurricane of talent—we are in the curiously comforting workings of memory and of the writing process itself, as, recollecting time, it offers immortality.

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    • Publisher's Weekly

      April 22, 2024
      In this intense and mordant autofiction from Vallejo (Our Lady of the Assassins), a middle-aged Colombian writer named Fernando returns from his home in Mexico City to Medellin to spend time with his brother Darío, who is dying from AIDS. The occasion also reunites Fernando with their domineering and needy mother, who he claims is “more malignant” than the virus. Rage sharpens the protagonist’s barbs, which extend to the Colombian government, whose corruption and indifference have spawned resentment, poverty, and hopelessness across the country. Among the cast of characters is Death, who’s first seen on a staircase looking like a “fuck-faced floozie” and who occasionally drops in to remind the brothers of her inevitability. There’s also a parade of friends and family, as well as ruminations on God and the afterlife. Fernando’s artful stream-of-consciousness narration flows into moments of surprising tenderness as he breaks from excoriating the forces that frustrate him to grapple with his grief and reflect on his childhood with Darío and their younger siblings. It’s a stinging portrait of a society in times of plague.

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  • English

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