Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.

I'll Never Get Out of This World Alive

A Novel

ebook
1 of 1 copy available
1 of 1 copy available
"I'll Never Get Out of This World Alive is like a dream you can't shake, offering beauty and remorse, redemption in spades." —Patti Smith, singer-songwriter, poet, visual artist, and author of Just Kids
Doc Ebersole lives with the ghost of Hank Williams—not just in the figurative sense, not just because he was one of the last people to see him alive, and not just because he is rumored to have given Hank the final morphine dose that killed him.
In 1963, ten years after Hank's death, Doc himself is wracked by addiction. Having lost his license to practice medicine, his morphine habit isn't as easy to support as it used to be. So he lives in a rented room in the red-light district on the south side of San Antonio, performing abortions and patching up the odd knife or gunshot wound. But when Graciela, a young Mexican immigrant, appears in the neighborhood in search of Doc's services, miraculous things begin to happen. Graciela sustains a wound on her wrist that never heals, yet she heals others with the touch of her hand. Everyone she meets is transformed for the better, except, maybe, for Hank's angry ghost—who isn't at all pleased to see Doc doing well. 
A brilliant excavation of an obscure piece of music history, Steve Earle's I'll Never Get Out of This World Alive is also a marvelous novel in its own right, a ballad of regret and redemption, and of the ways in which we remake ourselves and our world through the smallest of miracles.
"In fine songwriter fashion, [Earle] relies on the familiar forms—verse, chorus, verse—to create this Texas noir." —The Washington Post
  • Creators

  • Publisher

  • Release date

  • Formats

  • Languages

  • Reviews

    • Publisher's Weekly

      March 21, 2011
      In this spruce debut novel (nine years after his short story collection, Doghouse Roses), hard-core troubadour Earle ponders miracles, morphine, and mortality in 1963 San Antonio, Tex., where aging junkie Doc Ebersole performs backroom abortions to support his habit. Ten years before, the doctor was riding shotgun while his patient, fishing buddy, and fellow addict Hank Williams coughed his last in the Cadillac's backseat. Ever since, Hank has haunted Doc, who now "saw no need to squander more than a single syllable on a miserable life such as his own." Hank's ghost berates Doc for taking in one of Doc's "in trouble" Mexican girls, Graciela, who has breathed life not only into the lonesome codger, but into scores of San Antonio desperados who slink through their boarding-house clinic. Word is spreading that Graciela heals and redeems, and that even Doc might kick his habit if he doesn't kick the bucket first. With its Charles Portis vibe and the author's immense cred as a musician and actor, this should have no problem finding the wide audience it deserves. It won't hurt that Earle's next album comes out around the same time and shares the title.

    • Publisher's Weekly

      July 25, 2011
      Doc Ebersole has a serious morphine habit, one that ruined his medical career and left him performing back-alley abortions in San Antonio while being haunted by the ghost of Hank Williams. When a young woman arrives at his doorstep searching for an abortion, the two slowly bond as her spiritual power to heal begins to affect Doc. Steve Earle narrates his novel of despair, magic, and 1960s history with a solid Southern twang that lends authenticity to the story. He proves versatile in creating voices for his characters, switching between Southern and Spanish and flat Midwestern accents. However, Earle occasionally fails to adequately distinguish between his narration and Doc's dialogue, which can confuse listeners. Additionally, his female voices could use some refinement, as they sometimes disrupt the narrative flow. A Houghton Mifflin Harcourt hardcover.

Formats

  • Kindle Book
  • OverDrive Read
  • EPUB ebook

Languages

  • English

Loading