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Hark! a Vagrant

ebook
1 of 1 copy available
1 of 1 copy available
A new collection by the web sensation and New Yorker cartoonist Hark! A Vagrant is an uproarious romp through history and literature seen through the sharp, contemporary lens of New Yorker cartoonist and comics sensation Kate Beaton. No era or tome emerges unscasthed as Beaton rightly skewers the Western world's revolutionaries, leaders, sycophants, and suffragists while equally honing her wit on the hapless heroes, heroines, and villains of the best-loved fiction. She deftly points out what really happened when Brahms fell asleep listening to Liszt, that the world's first hipsters were obviously the Incroyables and the Merveilleuses from eighteenth-century France, that Susan B. Anthony is, of course, a "Samantha," and that the polite banality of Canadian culture never gets old. Hark! A Vagrant features sexy Batman, the true stories behind classic Nancy Drew covers, and Queen Elizabeth doing the albatross. As the 500,000 unique monthly visitors to harkavagrant.com already know, no one turns the ironic absurdities of history and literature into comedic fodder as hilariously as Beaton.
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    • Publisher's Weekly

      Starred review from September 12, 2011
      Recent comics sensation Beaton probably, definitely, knows more about history and literature than the average reader, and this collection of her webcomic—mostly collections of three-panel gag—shows it. But while her comics are pungent with the aroma of authentic knowledge, they wear it lightly, with a jittery humor that’s surprisingly effective given the lashings of irony that Beaton layers on top. While she’s perfectly content to base her cartoon strips around lesser-known figures (criminal “masterminds” Burke and Hare, anyone?), most of her cartoons put people like the Brontë sisters or Jules Verne out there and wryly undercut them with mock pulp headlines and dishy asides. While the focus in Beaton’s rip-quick and squiggly drawings is getting a good joke out of, say, the death of French general Montcalm or playing to the world’s ignorance of even the most basic facets of Canadian history and culture, she also drops in some sharp literary criticism. If she had pushed her faux naïf outrageousness any further, Beaton might have ventured too far into Sarah Vowellesque flipness. But this is that rarest combination of literate irony and devastatingly funny humor—when was the last time you read a comic strip collection that not only has but needs an index?

    • Library Journal

      March 15, 2012

      The dumbing-down of American education may be overestimated, based on the extravagant praise lavished upon this web-comic: you need more than a passing howdy with history and literature to get most of the jokes. Suffragettes dish about men like Sex in the City vixens. Tesla, Edison, and Marconi steal one another's inventions. Annabel Lee returns to Poe, but she's such a bummer. Jane, Mr. Rochester, and Bertha act out the love triangle from hell. Three Dr. Watsons vie for Holmes's attention. Friday gets his licks in against Robinson Crusoe. Watson and Crick snoop into Rosalind Franklin's research report. An especially funny set of strips proposes loopy plots based on a book's cover. Beaton's success certainly proves you can do something novel with a humanities degree. While she has self-published previous collections, all of these strips are new. VERDICT Beaton's loose and engaging black-and-white satires peer into the past through a modern lens, requiring knowledge of her source materials coupled with an appreciation for crackpot lunacy. A real find for class assignments and culture-watchers, high school and up. With occasional F-bombs and sexual references.--M.C.

      Copyright 2012 Library Journal, LLC Used with permission.

    • Booklist

      October 15, 2011
      Beaton's erudite, anachronistic webcomic gag strips have become something of a sensation over the past five years. With targets from literature (Dude Watchin' with the Bront's; The Adventures of Sexy Batman) and history (Louis-Joseph de Montcalm, anyone?), her humor is an exercise in both feeling smart and appreciating a well-timed poop joke. With hilarious economy, she's able to sum up the entirety of something like Crime and Punishment and then summarily deflate it in a handful of strips, if not words (Porfiry is tipped off by Raskolnikov's article, Murdering Old Ladies: Not Even a Big Deal). And while the artwork has a kind of effortless, dashed-off quality to it, don't be fooled: the precisely rendered figures and facial expressions are often just as crucial to delivering the punch lines as the jokes themselves. If you didn't know there was much funny stuff in Kierkegaard, Kepler, or King Lear, think again. Better yet, let Beaton show you.(Reprinted with permission of Booklist, copyright 2011, American Library Association.)

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